The works of graphic art in the exhibition-quality Trienal Indonesian Graphic Arts III 2009

"Flash flood" is one of the graphic art Winanto Taufiq of five works of graphic art in the title "The damage Imaji About Nature" as the first winner in the competition Trienal III Indonaesia Graphic Arts in 2009.

Entering the showroom Bentara Budaya Yogyakarta on the ten-day art lovers to the fore (especially graphic arts) will get the works of graphic art and stunning quality of 50 works of graphic art graphic arts competition the participants titled Indonesia Trienal Graphic Arts III 2009 ".

The works of graphic art on display at the Bentara Budaya Yogyakarta from 13-22 November 2009 to come to represent the achievements in the quality work of art graphic creation of all theories which use graphic techniques such as high printing technique, printing technique in (intaglio), flat printing technique ( lithograph), printing techniques filter (screen printing) as well as various combinations of printing techniques.

The works of graphic art on display looks amazing eye because there is work that treats the work of the latest views on the development of graphic arts world today.
graphic art "Engraver Family With Their Dog Tracker" which was created by using wood and cukil stencil on canvas by Irwanto Lentho.

graphic art "Engraver Family With Their Dog Tracker" which was created by using wood and cukil stencil on canvas by Irwanto Lentho.

One member of the jury Trienal Indonesian Graphic Arts III 2009, Efix Mulyadi briefly explained when observing the works of the winners and finalists exhibited Trienal III Graphics 2009 This year, it's easy to see the combination works and non-graphic printing graphic printing.

Mulyadi Efix also the Executive Director of Cultural Bentara see the combination of this technique occurs in essential parts of the motif or theme figures and coloring directly hand to provide background outside the field yag techniques have been tilled with graphic print.
Old Sitompul Anggara work titled "Horizon" became champion in the competition III Trienal Indonesian Graphic Arts III 2009.

Old Sitompul Anggara work titled "Horizon" became champion in the competition III Trienal Indonesian Graphic Arts III 2009.

In the work of "satellite" which was created Putra Eko Prasetyo where acrylics are also used as a representative of the accompanying hand coloring printed graphics through cukilan kay cukilan-hard (hardboard cut) may be an example of the work is Efix Mulyadi.

Aspect Themes

Chairman of the Jury Trienal Indonesian Graphic Arts III, Aminudin TH Siregar suggests, this exhibition of graphic arts qualifications prioritizes conventional graphic arts techniques to loosen aspects of the theme to develop standard forms (which became certainty) graphic arts convention homeland.

Aspects of the theme, write Aminudin in the exhibition catalog, qualification-aesthetic themes, we view this technique as an integral part in the exhibition this trienal graphic arts. It is expected to create integration among several aspects in the context of the exhibition.
"Greedness" graphic art from wood to canvas cukilan finalist works Sukma Pramana Anga.

"Greedness" graphic art from wood to canvas cukilan finalist works Sukma Pramana Anga.

Blend in with the theme of printing technique in which the work embodied in a collection entitled "The damage Imaji About Nature" which includes five graphic art Winarso dikreasi Taufiq became the first winner in the competition this trienal graphic arts. The works on display Taufiq Winarso together the work of the next champions like Irwanto Lentho (champion II) which exhibit the work of "Engraver Family With Their Dog Tracker and Anggara Old Sitompul with his work titled" Horizon ".

Five works of graphic art that Taufiq Winarso "Flood additions", "Toxic River", "Oil Bomb", "flash flood", and "Crazy Way", shows the strength and ingenuity of this Kebumen original artist chose the theme of the environment created by the technique quite hard at work graphic arts, print.
"Garuda In the grip of the defendant" is the graphic art of the wood work cukilan competition finalists Trienal Indonesian Graphic Arts III 2009, I Kadek Adi Septa.

"Garuda In the grip of the defendant" is the graphic art of the wood work cukilan competition finalists Trienal Indonesian Graphic Arts III 2009, I Kadek Adi Septa.

While the graphic works titled "Family Engraver with Their Dog Tracker" by Irwanto Letho and "Kala Cakra" Sitompul Old Anggara work, the more graphic art show currently eligible Indonesia coupled with the works of other art.

While the graphic works titled "Family Engraver with Their Dog Tracker" by Irwanto Letho and "Kala Cakra" Sitompul Old Anggara work, the more graphic art show currently eligible Indonesia coupled with the works of other art.
"Dog Hunters" is the work of graphic art techniques cut hardboard Purwantoro Edy's finalists.

"Dog Hunters" is the work of graphic art techniques cut hardboard Purwantoro Edy's finalists.

The works created by the finalists of competition Graphic Arts Trienal Indonesia III 2009 is equally great. In addition to creating advanced graphic art with some of their printing techniques are also able to present themes that are also in.

Graphic art entitled "Greedness" Anga work Sukma Permana example, able to present a complete work of combination. With a high print techniques in the canvas, Anga produce content themes of greed (greedness) possessed by human beings with all the trees cut down in the woods. To the extent that the shape of a tree so serakahnya. (The Real Yogyakarta / joe)

John M Fakri Syahrani artwork exhibited in the final graphics in the graphic arts competition with the title "Jungle Law cukilan made of wood on canvas.

John M Fakri Syahrani artwork exhibited in the final graphics in the graphic arts competition with the title "Jungle Law cukilan made of wood on canvas.

Graphic art work from wood to canvas cukilan "Trying to Fight Fate" by Ariswan Adhitama.

Graphic art work from wood to canvas cukilan "Trying to Fight Fate" by Ariswan Adhitama.

Reflect the dynamics of Contemporary Sculpture

TEMPO Interactive, Jakarta: Page back of the building Erasmus Huis, Jakarta, since January 14, 2009 was different from the existence of new objects in the vicinity. In the court building, visitors can immediately see several sculptures with a variety of styles and materials.

One of the sculpture is the work titled Anusapati Shelter for the Goodhearted, which appears as an object of non-figurative sculptures that look different from other sculptures on display in the same room.

Anusapati create a high object about one meter of wood that resembles a house with a certain gradient, so that looks like an illusion and reflection on the concept of equilibrium (balance). This is an interesting work because it can get out of the convention statues that had been there, both in terms of media or form.

And in fact, throughout the development of contemporary art in Indonesia, not many sculptors who could produce works of sculpture beyond the conventions of this kind of work Anusapati. And this is one of the mirror that reflected the exhibition titled "The Spirit of Interaction" which lasted until February 14, 2009.

Curatorial concept of this exhibition was done by senior sculptor, Dolorosa Sinaga. The basic idea, he took every sculptor who was involved in this exhibition to respond to the gallery space and rear yard building and garden Erasmus Huis. In this way, sculptors are encouraged to interact, both with a space or a medium that he used to work.

In the gallery space in Erasmus Huis, displayed some works are quite fresh and interesting. Karya Abdi Setiawan, a graduate majoring in sculpture artists Faculty of Fine Arts Indonesian Arts Institute (ISI) Yogyakarta, for example, became one of the work that can bring visitors laughed.

He displays the common people +, a pair of wood-style human statues are realists talk with familiar: a common people and the police figure. The police asked "What is it, why your face is bruised?" The ordinary man replied. "No tau lah, sir. Did I just pass by and then accused thieves."

At the other end of the room, visitors can see the work Titarubi, Vagina Brocade had become part of the film Opera Java Garin Nugroho. This work is in the form of a large cone-like netting made from brocade, surrounded by a half-body statue. The statues were closed Tita with colorful brocade.

Beside him, work with the same material, is a form of appropriation of the legendary work of Michael Angelo, David. The work entitled Surrounding David Titarubi This is the interpretation of the construction of masculinity and femininity are represented in the history of modern art. The original version of this work, to reach nine feet high, on display at the National Museum of Singapore from May to September 2008 last.

The works displayed in the backyard of this building actually has a great potential to "hit" conventions of modern sculpture. Awan Simatupang works, Vertical, for example, shows an interesting approach is far from the monumental impression that we usually feel when confronted with the statue. The work was composed of nine small boxes, about 40x40 inches, is installed through the garden path. Uniquely, each resembling a box in the urban area, surrounded by grass around. Buildings symbolized with thin wooden rod attached rose.

Then, Hardiman Radjab, as usual, still too late to process old suitcases. He put some suitcases that "breathe" on park benches. The work titled Long Journey reflects a pause that always we need in a way, let alone a long journey. Suitcase that has always been a friend in the adventure and included the stories become part of the memorabilia.

Compared with other works in this exhibition, Hardiman succeeded in creating an atmosphere of quiet and poetic, which makes the statue was talking to the visitors. Hardiman the other works seem more contain humor: he made some old suitcases to be similar to the bread sponge. A simple idea but talented.

Several other works are still using the old approach is common in modern statues. They treat heavy materials such as bronze or metal with a conventional manner so as not to show an effort to exceed the bronze as a medium.

The forms are processed was likely "that-that" it: human figures or bodies distorted, new realism model, and the like. Unfortunately, between material selection and processing of these forms, did not seem to want to study the birth of the idea behind these works.

The results became the basis of interaction curatorial idea then was to produce a variety of works. This diversity is, on the one hand, show some different approaches in the development of arts in Indonesia. But on the other hand, because space for artists interpretation is too large, then the works on display were "disconnected" from each other.

Or, in other words, a capability gap with other artists artists, especially in the sculpture reflects the history and the ability to sharpen the idea itself, is too visible.

ALIA Swastika, art observers