Kamis, 10 Desember 2009

The works of graphic art in the exhibition-quality Trienal Indonesian Graphic Arts III 2009






















"Flash flood" is one of the graphic art Winanto Taufiq of five works of graphic art in the title "The damage Imaji About Nature" as the first winner in the competition Trienal III Indonaesia Graphic Arts in 2009.

Entering the showroom Bentara Budaya Yogyakarta on the ten-day art lovers to the fore (especially graphic arts) will get the works of graphic art and stunning quality of 50 works of graphic art graphic arts competition the participants titled Indonesia Trienal Graphic Arts III 2009 ".

The works of graphic art on display at the Bentara Budaya Yogyakarta from 13-22 November 2009 to come to represent the achievements in the quality work of art graphic creation of all theories which use graphic techniques such as high printing technique, printing technique in (intaglio), flat printing technique ( lithograph), printing techniques filter (screen printing) as well as various combinations of printing techniques.

The works of graphic art on display looks amazing eye because there is work that treats the work of the latest views on the development of graphic arts world today.
graphic art "Engraver Family With Their Dog Tracker" which was created by using wood and cukil stencil on canvas by Irwanto Lentho.

graphic art "Engraver Family With Their Dog Tracker" which was created by using wood and cukil stencil on canvas by Irwanto Lentho.

One member of the jury Trienal Indonesian Graphic Arts III 2009, Efix Mulyadi briefly explained when observing the works of the winners and finalists exhibited Trienal III Graphics 2009 This year, it's easy to see the combination works and non-graphic printing graphic printing.

Mulyadi Efix also the Executive Director of Cultural Bentara see the combination of this technique occurs in essential parts of the motif or theme figures and coloring directly hand to provide background outside the field yag techniques have been tilled with graphic print.
Old Sitompul Anggara work titled "Horizon" became champion in the competition III Trienal Indonesian Graphic Arts III 2009.

Old Sitompul Anggara work titled "Horizon" became champion in the competition III Trienal Indonesian Graphic Arts III 2009.

In the work of "satellite" which was created Putra Eko Prasetyo where acrylics are also used as a representative of the accompanying hand coloring printed graphics through cukilan kay cukilan-hard (hardboard cut) may be an example of the work is Efix Mulyadi.

Aspect Themes

Chairman of the Jury Trienal Indonesian Graphic Arts III, Aminudin TH Siregar suggests, this exhibition of graphic arts qualifications prioritizes conventional graphic arts techniques to loosen aspects of the theme to develop standard forms (which became certainty) graphic arts convention homeland.

Aspects of the theme, write Aminudin in the exhibition catalog, qualification-aesthetic themes, we view this technique as an integral part in the exhibition this trienal graphic arts. It is expected to create integration among several aspects in the context of the exhibition.
"Greedness" graphic art from wood to canvas cukilan finalist works Sukma Pramana Anga.

"Greedness" graphic art from wood to canvas cukilan finalist works Sukma Pramana Anga.

Blend in with the theme of printing technique in which the work embodied in a collection entitled "The damage Imaji About Nature" which includes five graphic art Winarso dikreasi Taufiq became the first winner in the competition this trienal graphic arts. The works on display Taufiq Winarso together the work of the next champions like Irwanto Lentho (champion II) which exhibit the work of "Engraver Family With Their Dog Tracker and Anggara Old Sitompul with his work titled" Horizon ".

Five works of graphic art that Taufiq Winarso "Flood additions", "Toxic River", "Oil Bomb", "flash flood", and "Crazy Way", shows the strength and ingenuity of this Kebumen original artist chose the theme of the environment created by the technique quite hard at work graphic arts, print.
"Garuda In the grip of the defendant" is the graphic art of the wood work cukilan competition finalists Trienal Indonesian Graphic Arts III 2009, I Kadek Adi Septa.

"Garuda In the grip of the defendant" is the graphic art of the wood work cukilan competition finalists Trienal Indonesian Graphic Arts III 2009, I Kadek Adi Septa.

While the graphic works titled "Family Engraver with Their Dog Tracker" by Irwanto Letho and "Kala Cakra" Sitompul Old Anggara work, the more graphic art show currently eligible Indonesia coupled with the works of other art.

While the graphic works titled "Family Engraver with Their Dog Tracker" by Irwanto Letho and "Kala Cakra" Sitompul Old Anggara work, the more graphic art show currently eligible Indonesia coupled with the works of other art.
"Dog Hunters" is the work of graphic art techniques cut hardboard Purwantoro Edy's finalists.

"Dog Hunters" is the work of graphic art techniques cut hardboard Purwantoro Edy's finalists.

The works created by the finalists of competition Graphic Arts Trienal Indonesia III 2009 is equally great. In addition to creating advanced graphic art with some of their printing techniques are also able to present themes that are also in.

Graphic art entitled "Greedness" Anga work Sukma Permana example, able to present a complete work of combination. With a high print techniques in the canvas, Anga produce content themes of greed (greedness) possessed by human beings with all the trees cut down in the woods. To the extent that the shape of a tree so serakahnya. (The Real Yogyakarta / joe)

John M Fakri Syahrani artwork exhibited in the final graphics in the graphic arts competition with the title "Jungle Law cukilan made of wood on canvas.

John M Fakri Syahrani artwork exhibited in the final graphics in the graphic arts competition with the title "Jungle Law cukilan made of wood on canvas.

Graphic art work from wood to canvas cukilan "Trying to Fight Fate" by Ariswan Adhitama.

Graphic art work from wood to canvas cukilan "Trying to Fight Fate" by Ariswan Adhitama.

Reflect the dynamics of Contemporary Sculpture


TEMPO Interactive, Jakarta: Page back of the building Erasmus Huis, Jakarta, since January 14, 2009 was different from the existence of new objects in the vicinity. In the court building, visitors can immediately see several sculptures with a variety of styles and materials.

One of the sculpture is the work titled Anusapati Shelter for the Goodhearted, which appears as an object of non-figurative sculptures that look different from other sculptures on display in the same room.

Anusapati create a high object about one meter of wood that resembles a house with a certain gradient, so that looks like an illusion and reflection on the concept of equilibrium (balance). This is an interesting work because it can get out of the convention statues that had been there, both in terms of media or form.

And in fact, throughout the development of contemporary art in Indonesia, not many sculptors who could produce works of sculpture beyond the conventions of this kind of work Anusapati. And this is one of the mirror that reflected the exhibition titled "The Spirit of Interaction" which lasted until February 14, 2009.

Curatorial concept of this exhibition was done by senior sculptor, Dolorosa Sinaga. The basic idea, he took every sculptor who was involved in this exhibition to respond to the gallery space and rear yard building and garden Erasmus Huis. In this way, sculptors are encouraged to interact, both with a space or a medium that he used to work.

In the gallery space in Erasmus Huis, displayed some works are quite fresh and interesting. Karya Abdi Setiawan, a graduate majoring in sculpture artists Faculty of Fine Arts Indonesian Arts Institute (ISI) Yogyakarta, for example, became one of the work that can bring visitors laughed.

He displays the common people +, a pair of wood-style human statues are realists talk with familiar: a common people and the police figure. The police asked "What is it, why your face is bruised?" The ordinary man replied. "No tau lah, sir. Did I just pass by and then accused thieves."

At the other end of the room, visitors can see the work Titarubi, Vagina Brocade had become part of the film Opera Java Garin Nugroho. This work is in the form of a large cone-like netting made from brocade, surrounded by a half-body statue. The statues were closed Tita with colorful brocade.

Beside him, work with the same material, is a form of appropriation of the legendary work of Michael Angelo, David. The work entitled Surrounding David Titarubi This is the interpretation of the construction of masculinity and femininity are represented in the history of modern art. The original version of this work, to reach nine feet high, on display at the National Museum of Singapore from May to September 2008 last.

The works displayed in the backyard of this building actually has a great potential to "hit" conventions of modern sculpture. Awan Simatupang works, Vertical, for example, shows an interesting approach is far from the monumental impression that we usually feel when confronted with the statue. The work was composed of nine small boxes, about 40x40 inches, is installed through the garden path. Uniquely, each resembling a box in the urban area, surrounded by grass around. Buildings symbolized with thin wooden rod attached rose.

Then, Hardiman Radjab, as usual, still too late to process old suitcases. He put some suitcases that "breathe" on park benches. The work titled Long Journey reflects a pause that always we need in a way, let alone a long journey. Suitcase that has always been a friend in the adventure and included the stories become part of the memorabilia.

Compared with other works in this exhibition, Hardiman succeeded in creating an atmosphere of quiet and poetic, which makes the statue was talking to the visitors. Hardiman the other works seem more contain humor: he made some old suitcases to be similar to the bread sponge. A simple idea but talented.

Several other works are still using the old approach is common in modern statues. They treat heavy materials such as bronze or metal with a conventional manner so as not to show an effort to exceed the bronze as a medium.

The forms are processed was likely "that-that" it: human figures or bodies distorted, new realism model, and the like. Unfortunately, between material selection and processing of these forms, did not seem to want to study the birth of the idea behind these works.

The results became the basis of interaction curatorial idea then was to produce a variety of works. This diversity is, on the one hand, show some different approaches in the development of arts in Indonesia. But on the other hand, because space for artists interpretation is too large, then the works on display were "disconnected" from each other.

Or, in other words, a capability gap with other artists artists, especially in the sculpture reflects the history and the ability to sharpen the idea itself, is too visible.

ALIA Swastika, art observers

Selasa, 24 November 2009

Chisel Art after 1800


Chisel Art after 1800


Hans Michelsen (1789-1859), a Norwegian national students from Danish sculptor, Bertel Thorvaldsen living in Rome, came at the time of the reign of King of Sweden, King Karl Johan and lived for several years in Stockholm. He then returned to Norway and propose improvements Nidaros Dome. Afterward, Michelsen and his friend Julius Middelthun (1820-1886) followed classical sculptural principles, but also strongly influenced by the realism. Another important sculptor, Brynjulf Bergslien (1830-1898), developed a Realistic style which comes from the National Romanticism. His work is a sculpture of Karl Johan kingdom terleta outside Oslo. While Stephan Sinding (1846-1922) also gained international recognition for the work of carvings that are more classic.

1880 and 1890 was a period in which Norwegian sculpture influenced by symbolism, and sculptures created by Gustav Vigeland (1869-1943) during this decade represents the works of the best art of the time in a European context. Vigeland worked for some time to repair Nidaros Dome, but after the year end, he developed a more simple style. Vigeland Park in Oslo, together with Vigeland private museum displaying the entire collection of carvings and various artistic phases. Svor Anders (1864-1922) and Lars Utne (1862-1922) is an important generation of Vigeland.

Beginning in 1920, the flow of new sculpture that is Expressionism developed, and later became the trademark Norwegian sculpture throughout the century. This flow stated in the works Dyre Vaa (1903-1980), Gunnar Janson (1901-1983), Emil Lie (1897-1976), Nic Shciøll (1901-1984), Stinius Fredriksen (1902-1977), Per Hurum ( 1910 - 1989), Per Paalle Storm (1910-1994), Anne Grimsdalen (1899-1961) and Joseph Grimeland (b1916).

From the year 1950 is Aase Texmon Rygh (b1925), Carl Nesjar (b1920) and Odd TANDBERG (b1924) who work with basic mathematical and geometric shapes more. Art is more abstract sculpture was introduced by Arnold Haukeland (1920-1983) and the flow of surrealism and konstrukturalisme by Ramon Isern (b1914). Nils Aas (b1933) presents sculpture with figurative meanings, and is known for individual expression in his carvings. Other works that deserve attention in this period was the work of Knut Steen (b1924), Boge Berg (b1944), Arne Vinje Gunnerud (b1930) and Ola Enstad
(b1942).

During the year 1970, the Norwegian sculpture once again influenced by international trends and styles. Bard Breivik (b1948) and Kristian Blystad (b1946) represented a new generation of Norwegian sculptors and both opposed the 1920 year old tradition. Breivik's work combines the art of crafting a very beautiful with a simple design, with a focus on the quality of materials used. While the present work Blystad better shape, but remain focused on the same quality. Together they have given birth sculpture Norway back and give a new identity. Important sculptors of this period include Nico Wideberg (b1960), Gunnar Torvsund (b1948), Helge Røed (b1938), Per Ung (b1933), Thor Sandborg (b1942), Sissel Tolaas (b1946), Wenche
Guldbransen (b1947) and Istvan Lisztes (b1942).

In recent years, the Norwegian sculptors have developed their work involves more than just the art of carving and use other materials instead of stone, bronze or marble. Jon Gundersen (b1942) creates sculptures by using 'modern society that can be disposed of', creating ironic transformation and sharp through the recycling of waste. Kjell Erik Killi Olsen (b1952) uses metal and in particular because dikenla art metal sculpture in Vesterålen (1994). Kjartan Slettemark (b1932) lives and works in Sweden, but his works are powerful and provocative important influence. He worked with a variety of materials, with the main focus of the trash doll assembly; new work at the intersection of sculpture Angara and assembly. Some contemporary sculptors have experimented with other media such as light, sound, place and movement. The names to be reckoned with is Per Inge Bjørlo (b1952), Iver Jåks (b1932), Ola Enstad (b1942), Bente Stokke (b1952), Marianne Heske (b1946), Inghild Karlsen (b1952), Børre Larsen (b1952), Per Barclay (b1955) and Michael O'Connel (b1950).

Sabtu, 14 November 2009

KIND OF PAINTING

 

1. Naturalism Painting

2. Realism Paintings

3. Painting Expressionism

4. Cubism Painting

5. Romanticism Painting

 

Kinds Flow Definition Painting and its

 

That is a form of naturalism art painting (visual art) in which artists tried to describe all things in accordance with nature or relay natural, means adapted to catch our eye. So that the painting was made - is similar or identical to the real, then the composition, contrast, perspective, texture, dark coloring and light work as possible, as precisely - exactly. in the art is an attempt to show the objects with an emphasis realistic natural setting. This is a further deepening of more realism movement in the 19th century as a reaction to the establishment romanticism.

 

One of naturalism in American visual artist is William Bliss Baker, whose landscape paintings are considered the best realist paintings of this movement. Atu Salahs important part of the naturalist movement is Darwinism's view of life and the damage that humans have inflicted on nature.

 

List of Painters Naturalism:

 

§ Soeboer Doellah

 

§ William Bliss Baker

 

§ Raden Saleh

 

§ Hokusai

 

§ Affandi

 

§ Fresco Mural

 

§ Basuki Abdullah

 

§ William Hogart

 

Frans § Hail

 

 

 

Realism in art means that display business subject in a work as appeared in the daily lives without additional frills or a particular interpretation. Meaning can also refer to efforts in art for junior fashion show you the truth, even without hiding bad thing though. The discussion of realism in art can also refer to the cultural movement that began in France in the mid-19th century. But the work with the idea of realism is already there in 2400 BC found in the city of Lothal, which is now better known as India.

Realism as a cultural movement

 

Realism became famous as a cultural movement in France as a reaction against Romanticism understanding established in the mid-19th century. This movement is usually associated closely with the social struggle, political reform, and democracy.

 

Realism and then dominate the world of art and literature in France, England, and the United States in about the year 1840 to 1880. Adherents of the French literary realism include the name of Honoré de Balzac and Stendhal. While the well-known artists are realist Gustave Courbet and Jean François Millet.

Realism in art

 

Realist artists always try to show the daily life of the character, atmosphere, dilemmas, and objects, to achieve the goal Verisimilitude (so alive). Realist artists tend to ignore the theatrical dramas, the subjects that appear in a room that is too broad, and the classic forms of others who have more popular first time.

 

In a broader sense, business realism will always happen every time an artist tried to observe and imitate the forms in nature accurately. For example, a painter at the time of the Renaissance picture, Giotto can be categorized as a work of realist artists, because his work has been to better imitate the physical appearance and volume of better things than that have been cultivated since the days of Gothic.

 

Honesty in the displaying every detail of the object seen also from the works of observation RembrandtBarbizon School focuses closer to nature, yag then open the way for the development of Impressionism. In England, the Pre-Raphaelite Brotherhood rejected the idealism of Raphael's followers and lead to a more intense approach of realism. which is known as one of the best realist artists. Then in the 19th century, a group in France known as the

 

Trompe l'oeil technique, is the art techniques which show extreme artists effort to bring the concept of realism.

List of famous painters realism

 

· Karl Briullov

 

· Ford Madox Brown

 

· Jean Baptiste Siméon Chardin

 

· Camille Corot

 

· Gustave Courbet

 

· Honoré Daumier

 

· Edgar Degas

 

· Thomas Eakins

 

· Nikolai Ge

 

· Alexander Gierymski

 

· William Harnett

 

· Louis Le Nain

 

· Édouard Manet

 

· Jean-François Millet

 

· Yefimovich Ilya Repin

 

 

 

Understanding the flow of Expressionism in painting that gave priority to freedom of form and color to put emotion or feeling.

 

Ekspressionisme is the tendency of an artist to distort reality to the emotional effects. Expressionism can be found in the work of painting, literature, film, architecture, and music. The term is usually more emotion to the type of emotion into anger and depression than happy emotion.

 

Painter Matthias Grünewald and El Greco can be called expressionist.

 

List of Painters Expressionism from the 20th century is classified as:

 

· Germany: Heinrich Campendonk, Emil Nolde, Rolf Nesch, Franz Marc, Ernst Barlach, Wilhelm Lehmbruck, Erich Heckel, Karl Schmidt-Rottluff, Ernst Ludwig Kirchner, Max Beckmann, August Macke, Elfriede Lohse-Wächtler, Ludwig Meidner, Paula Modersohn - Becker, Gabriele Münter, and Max Pechstein.

 

· Austria: Egon Schiele and Oskar Kokoschka

 

· Russia: Wassily Kandinsky and Alexei Jawlensky

 

· Netherlands: Charles Eyck, Willem Hofhuizen, Jaap Min, Jan Sluyters, Jan Wiegers and Hendrik Werkman

 

· Belgium: Constant Permeke, Gust De Smet, Frits Van den Berghe, James Ensor, Floris Jespers and Albert Droesbeke.

 

· France: Gen. Paul and Chaim Soutine

 

· Norway: Edvard Munch

 

· Switzerland: Carl Eugen Keel

 

· Indonesia: Affandi

 

 

 

Cubism is a modern art movement in the early 20th century pioneered by Picasso and Braque. Basic principles common to Cubism that describe the object shape by cutting, distortion, overlap, simplification, transparency, deformation, organize and various looks. This movement started in the media paintings and sculptures by each approach

 

in Cubism, his work forms using geometric shapes (triangles, squares, cones, cubes, circles and so forth) Cubism artists often use collage techniques, for example, put pieces of paper newspapers, pictures and posters, and others.

 

Cubism as the originator of the style comes after nonimitative Picasso and Braque as well dig a primitive form of art affected, such as Liberia ethnic sculpture, bas-relief (basrelief) the Egyptians, and the masks African tribe. Also the influence of Paul Cezanne paintings, especially works of still life and landscape, which introduces a new geometry to break the Renaissance perspective. This made an impression on them that shed new flow.

 

The term "cabbage" itself, thanks to observations tercetus some critics. Vauxelles Louis (French critic) after seeing a work of Braque in the Salon des Independants, berkomenmtar that the work of Braque as reduces everything to little Cubes (put everything on the form of small cubes. Gil Blas as a Braque painting mentioned bizzarries cubiques (magic squares). Meanwhile, Henri Matisse called petits arrangements Cubes (small cubes). So for the next term Cubism used to characterize the flow as it works.

 

Early development

 

In the early development stage, Analytic Cubism phase which has continued on Synthetic phase. In Cubism 1908-1909 more complex lead immediately in the style of a more systematic and ranged between years 1910-1912. This initial phase is often termed as Analytical Cubism painting objects to be analyzed. All elements of the painting must be fragmented consisting of facet-fasetnya or in the form of a cube.

 

Object paintings sometimes seem drawn half from the front right, while the other half viewed from the rear or side. Human faces or animal heads are exposed in such a way, a cursory look from the side with the eyes should be visible from the front.

 

In this phase of Analytical Cubism, the artist has actually made a statement in the painting of the fourth dimension, namely space and time because the pattern has been abandoned a long perspective.

 

If the pereiode analytical Braque and Picasso were still locked in a limited creativity, different from the Synthetic Cubism phase. The sprouts are no longer fixed on the three basic colors in the scratch-goresannya. The theme of their works were more varied. With the courage to leave the point of view that become his trademark to move to the next innovative level.

 

The development work of the next Cabbage is with their attention to the reality. By inserting the cuttings are words or phrases taken from suratpaper Colle. news on canvas and then glued to form a geometric composition. Experiments like this patch technique commonly known as collage or

 

List of Painters Cubism:

 

* Paul Cezane

* Pablo Picasso

* George Braque

* Metzinger

* Albert Glazez

* But Mochtar

* Moctar Apin

* Fajar Sidik

* André Derain

 

 

Fauvism was an art school in a fairly short-lived before the beginnings of modern art. Fauvism name comes from the word innuendo "fauve" (wild beasts) by Louis Vauxcelles when commenting Salon d'Automne exhibition in his article for the supplement edition of Gil Blas October 17, 1905, page 2.

 

The popularity of this flow starts from Le Havre, Paris, to Bordeaux. The maturity concept is achieved in the year 1906.

 

Fauvism was the flow of value in the expression to capture the atmosphere that is painted. Unlike the work of impressionism, painter fauvis argues that color harmonies that are not connected with reality in nature it would be better to show a personal relationship with the natural artist.

 

The basic concept can be traced Fauvism first time in 1888 from Paul GauguinPaul Sérusier comments: to

 

"How do you see these trees? They are yellow. So, put in yellow; this shadow, rather blue, paint it with pure ultramarine; these red leaves? Put in vermilion."

 

"How do you interpret those trees? Yellow, because it add yellow. Then the shadow looks a bit blue, so add ultramarine. Leaves are reddish? Add just Vermillion."

 

Everything related to observations objectively and realistically, as happens in naturalist painting, is replaced by understanding the emotional and imaginative. As a result the concept of color and nuance would seem poetic. The colors used clearly no longer adapted to the color on the field, but the painters followed a personal desire.

 

The use of line in Fauvism painting simplified so that the viewer can detect the presence of clear lines and strong. As a result of easily identifiable objects without having to consider many details.

 

Fauvis painter called for rebellion against the art establishment that has long helped by the objectivity of science as it happens in the flow of impressionism, although studies of their previous painter of still used as a basis for painting. This is especially true in the early popularity of this genre in the period 1904 to 1907.

Influence

 

Initial influence of this flow may well come from the request initiated by the works of Paul Cezanne, Gustave Moreau, Paul Gauguin, and Vincent van Gogh. Although the painter is not involved in the movement of Fauvism and different era with the start of this school, but his work became a reference for the young painters who would later become a painter fauvis.

 

Although only a short-lived, Fauvism flow a milestone of modern art concepts next.

Fauvism Painters List:

 

· Henri Matisse

 

· André Derain

 

· Georges Braque

 

· Albert Marquet

 

· Henri Manguin

 

· Charles Camoin

 

· Henri Evenepoel

 

· Jean Puy

 

· Maurice de Vlaminck

 

· Raoul Dufy

 

· Othon Friesz

 

· Georges Roua

KIND OF PAINTING

 

1. Naturalism Painting

2. Realism Paintings

3. Painting Expressionism

4. Cubism Painting

5. Romanticism Painting

 

Kinds Flow Definition Painting and its

 

That is a form of naturalism art painting (visual art) in which artists tried to describe all things in accordance with nature or relay natural, means adapted to catch our eye. So that the painting was made - is similar or identical to the real, then the composition, contrast, perspective, texture, dark coloring and light work as possible, as precisely - exactly. in the art is an attempt to show the objects with an emphasis realistic natural setting. This is a further deepening of more realism movement in the 19th century as a reaction to the establishment romanticism.

 

One of naturalism in American visual artist is William Bliss Baker, whose landscape paintings are considered the best realist paintings of this movement. Atu Salahs important part of the naturalist movement is Darwinism's view of life and the damage that humans have inflicted on nature.

 

List of Painters Naturalism:

 

§ Soeboer Doellah

 

§ William Bliss Baker

 

§ Raden Saleh

 

§ Hokusai

 

§ Affandi

 

§ Fresco Mural

 

§ Basuki Abdullah

 

§ William Hogart

 

Frans § Hail

 

 

 

Realism in art means that display business subject in a work as appeared in the daily lives without additional frills or a particular interpretation. Meaning can also refer to efforts in art for junior fashion show you the truth, even without hiding bad thing though. The discussion of realism in art can also refer to the cultural movement that began in France in the mid-19th century. But the work with the idea of realism is already there in 2400 BC found in the city of Lothal, which is now better known as India.

Realism as a cultural movement

 

Realism became famous as a cultural movement in France as a reaction against Romanticism understanding established in the mid-19th century. This movement is usually associated closely with the social struggle, political reform, and democracy.

 

Realism and then dominate the world of art and literature in France, England, and the United States in about the year 1840 to 1880. Adherents of the French literary realism include the name of Honoré de Balzac and Stendhal. While the well-known artists are realist Gustave Courbet and Jean François Millet.

Realism in art

 

Realist artists always try to show the daily life of the character, atmosphere, dilemmas, and objects, to achieve the goal Verisimilitude (so alive). Realist artists tend to ignore the theatrical dramas, the subjects that appear in a room that is too broad, and the classic forms of others who have more popular first time.

 

In a broader sense, business realism will always happen every time an artist tried to observe and imitate the forms in nature accurately. For example, a painter at the time of the Renaissance picture, Giotto can be categorized as a work of realist artists, because his work has been to better imitate the physical appearance and volume of better things than that have been cultivated since the days of Gothic.

 

Honesty in the displaying every detail of the object seen also from the works of observation RembrandtBarbizon School focuses closer to nature, yag then open the way for the development of Impressionism. In England, the Pre-Raphaelite Brotherhood rejected the idealism of Raphael's followers and lead to a more intense approach of realism. which is known as one of the best realist artists. Then in the 19th century, a group in France known as the

 

Trompe l'oeil technique, is the art techniques which show extreme artists effort to bring the concept of realism.

List of famous painters realism

 

· Karl Briullov

 

· Ford Madox Brown

 

· Jean Baptiste Siméon Chardin

 

· Camille Corot

 

· Gustave Courbet

 

· Honoré Daumier

 

· Edgar Degas

 

· Thomas Eakins

 

· Nikolai Ge

 

· Alexander Gierymski

 

· William Harnett

 

· Louis Le Nain

 

· Édouard Manet

 

· Jean-François Millet

 

· Yefimovich Ilya Repin

 

 

 

Understanding the flow of Expressionism in painting that gave priority to freedom of form and color to put emotion or feeling.

 

Ekspressionisme is the tendency of an artist to distort reality to the emotional effects. Expressionism can be found in the work of painting, literature, film, architecture, and music. The term is usually more emotion to the type of emotion into anger and depression than happy emotion.

 

Painter Matthias Grünewald and El Greco can be called expressionist.

 

List of Painters Expressionism from the 20th century is classified as:

 

· Germany: Heinrich Campendonk, Emil Nolde, Rolf Nesch, Franz Marc, Ernst Barlach, Wilhelm Lehmbruck, Erich Heckel, Karl Schmidt-Rottluff, Ernst Ludwig Kirchner, Max Beckmann, August Macke, Elfriede Lohse-Wächtler, Ludwig Meidner, Paula Modersohn - Becker, Gabriele Münter, and Max Pechstein.

 

· Austria: Egon Schiele and Oskar Kokoschka

 

· Russia: Wassily Kandinsky and Alexei Jawlensky

 

· Netherlands: Charles Eyck, Willem Hofhuizen, Jaap Min, Jan Sluyters, Jan Wiegers and Hendrik Werkman

 

· Belgium: Constant Permeke, Gust De Smet, Frits Van den Berghe, James Ensor, Floris Jespers and Albert Droesbeke.

 

· France: Gen. Paul and Chaim Soutine

 

· Norway: Edvard Munch

 

· Switzerland: Carl Eugen Keel

 

· Indonesia: Affandi

 

 

 

Cubism is a modern art movement in the early 20th century pioneered by Picasso and Braque. Basic principles common to Cubism that describe the object shape by cutting, distortion, overlap, simplification, transparency, deformation, organize and various looks. This movement started in the media paintings and sculptures by each approach

 

in Cubism, his work forms using geometric shapes (triangles, squares, cones, cubes, circles and so forth) Cubism artists often use collage techniques, for example, put pieces of paper newspapers, pictures and posters, and others.

 

Cubism as the originator of the style comes after nonimitative Picasso and Braque as well dig a primitive form of art affected, such as Liberia ethnic sculpture, bas-relief (basrelief) the Egyptians, and the masks African tribe. Also the influence of Paul Cezanne paintings, especially works of still life and landscape, which introduces a new geometry to break the Renaissance perspective. This made an impression on them that shed new flow.

 

The term "cabbage" itself, thanks to observations tercetus some critics. Vauxelles Louis (French critic) after seeing a work of Braque in the Salon des Independants, berkomenmtar that the work of Braque as reduces everything to little Cubes (put everything on the form of small cubes. Gil Blas as a Braque painting mentioned bizzarries cubiques (magic squares). Meanwhile, Henri Matisse called petits arrangements Cubes (small cubes). So for the next term Cubism used to characterize the flow as it works.

 

Early development

 

In the early development stage, Analytic Cubism phase which has continued on Synthetic phase. In Cubism 1908-1909 more complex lead immediately in the style of a more systematic and ranged between years 1910-1912. This initial phase is often termed as Analytical Cubism painting objects to be analyzed. All elements of the painting must be fragmented consisting of facet-fasetnya or in the form of a cube.

 

Object paintings sometimes seem drawn half from the front right, while the other half viewed from the rear or side. Human faces or animal heads are exposed in such a way, a cursory look from the side with the eyes should be visible from the front.

 

In this phase of Analytical Cubism, the artist has actually made a statement in the painting of the fourth dimension, namely space and time because the pattern has been abandoned a long perspective.

 

If the pereiode analytical Braque and Picasso were still locked in a limited creativity, different from the Synthetic Cubism phase. The sprouts are no longer fixed on the three basic colors in the scratch-goresannya. The theme of their works were more varied. With the courage to leave the point of view that become his trademark to move to the next innovative level.

 

The development work of the next Cabbage is with their attention to the reality. By inserting the cuttings are words or phrases taken from suratpaper Colle. news on canvas and then glued to form a geometric composition. Experiments like this patch technique commonly known as collage or

 

List of Painters Cubism:

 

* Paul Cezane

* Pablo Picasso

* George Braque

* Metzinger

* Albert Glazez

* But Mochtar

* Moctar Apin

* Fajar Sidik

* André Derain

 

 

Fauvism was an art school in a fairly short-lived before the beginnings of modern art. Fauvism name comes from the word innuendo "fauve" (wild beasts) by Louis Vauxcelles when commenting Salon d'Automne exhibition in his article for the supplement edition of Gil Blas October 17, 1905, page 2.

 

The popularity of this flow starts from Le Havre, Paris, to Bordeaux. The maturity concept is achieved in the year 1906.

 

Fauvism was the flow of value in the expression to capture the atmosphere that is painted. Unlike the work of impressionism, painter fauvis argues that color harmonies that are not connected with reality in nature it would be better to show a personal relationship with the natural artist.

 

The basic concept can be traced Fauvism first time in 1888 from Paul GauguinPaul Sérusier comments: to

 

"How do you see these trees? They are yellow. So, put in yellow; this shadow, rather blue, paint it with pure ultramarine; these red leaves? Put in vermilion."

 

"How do you interpret those trees? Yellow, because it add yellow. Then the shadow looks a bit blue, so add ultramarine. Leaves are reddish? Add just Vermillion."

 

Everything related to observations objectively and realistically, as happens in naturalist painting, is replaced by understanding the emotional and imaginative. As a result the concept of color and nuance would seem poetic. The colors used clearly no longer adapted to the color on the field, but the painters followed a personal desire.

 

The use of line in Fauvism painting simplified so that the viewer can detect the presence of clear lines and strong. As a result of easily identifiable objects without having to consider many details.

 

Fauvis painter called for rebellion against the art establishment that has long helped by the objectivity of science as it happens in the flow of impressionism, although studies of their previous painter of still used as a basis for painting. This is especially true in the early popularity of this genre in the period 1904 to 1907.

Influence

 

Initial influence of this flow may well come from the request initiated by the works of Paul Cezanne, Gustave Moreau, Paul Gauguin, and Vincent van Gogh. Although the painter is not involved in the movement of Fauvism and different era with the start of this school, but his work became a reference for the young painters who would later become a painter fauvis.

 

Although only a short-lived, Fauvism flow a milestone of modern art concepts next.

Fauvism Painters List:

 

· Henri Matisse

 

· André Derain

 

· Georges Braque

 

· Albert Marquet

 

· Henri Manguin

 

· Charles Camoin

 

· Henri Evenepoel

 

· Jean Puy

 

· Maurice de Vlaminck

 

· Raoul Dufy

 

· Othon Friesz

 

· Georges Roua